Another edition of the Salon Gourmets has past in the Feria de Madrid…Gourmets is a four day professional food and wine show that launches the fair season.   In the past wine has been a much bigger part of the show and this year I noticed that even less wineries participated.  Food dominates this show and sadly I’ve seen the wine component diminish every year.  Wine shows in Spain have yet to find the international audience that justifies many wineries participation.  It’s a fun show to walk around, with delectable offerings at stands such as jamon, olive oils, cheese, paella and even grilled steaks and roasted suckling pigs.  It’s a bit of a struggle to get samples at the most interesting stands as there are often long lines, but very fun.  Another interesting element are all the national and international gourmet stands looking for distribution in Spain.  I’ve notice a huge increase in those over six years…a great sign of the times…Spain is going gourmet big time!  As to the wine scene…there were a few interesting regional offerings, especially from Castilla Leon, and Galicia.  I tasted a fascinating 150€ wine from the Denominacion Vinos de Madrid!  I’ll be doing a separate post on the Ricardo Benito Winery.  The best wine section of Gourmets is the Wine Tunnel.  In the wine tunnel, wine is served at stands organized into grape varieties.  The first edition was last year and I went thinking there would be few wines of great interest, that they would mostly be inexpensive wines.  It turns out the wines offered at the stands are some of the top wines in Spain, some very expensive and the wine tunnel is a great opportunity to taste different styles of the same varietal from around Spain.  Read on for information on some fo the stand out wines in the wine tunnel this year. 

A couple of really interesting articles at Market Watch and at Decanter in the last week really gave some insights into how Spanish wine is performing in the current crisis market.  According to Market Watch, Spanish imports are performing better than average in the US wine market, and particularly when you compare their numbers to other major European wine exporters such as French, Italy and Germany.   The value of Spanish table wines increased 5% in 2008 while cava imports performed even better at 9%….obviously cava is good recession alternative to Champagne!  The Decanter article addresses the situation in the UK market, Spanish wines declined in volume by 3% but remained stable in value.  Hopefully this shows that UK and US consumers that Spanish wines offer great value at very inexpensive price points, but also at higher price points.   It’s great to see Spanish wines performing so well in this difficult market…certainly the quality and value of the product on offer merits the recognition of the consumer.  The Decanter article’s main theme was that Rioja imports had declined as compared to their rival regions.  Just as interesting is the comment posted by the UK office of Wines from Rioja, denying any slump in Rioja sales in the UK!  Decanter doesn’t provide any assessment of Rioja’s decline, but I have been thinking of a few.  Read on for some more thoughts….

Chacolí or Txakolí is the wine produced in three wine appellations in Spanish Basque Country.  It is a slightly sparkling light wine made in all three colors that is commonly served in Basque bars with tapas and pintxos.  It is very similar in style to Portugal’s Vinho Verde.  White Chacolí is the norm and it is generally served with a special spout attached to the bottle high above the glasses…splashing it vigourously encourages the fizzy carbonic to come out.   It is meant to be a light, fresh and fruity wine that refreshes the palate between all the varied pintxos you might eat….the best wines fit that bill perfectly…the worst are bland and bitingly acidic.   I recently saw in a Spanish TV report that over 80% of the Chacolí served in Basque bars is fake…in other words, not from the wine appellation, but rather a table wine made in the style of Chacolí with inferior grape varieties.   I decided to investigate the last time we were in Basque country and sure enough most of the time I was served a vino de mesa most of the time when I ordered Chacolí.  Generally you don’t get your hands on the bottles as it usually served behind the bar by the glass, but in the picture you can see a bottle of a fake one we were served.  The real rip off is that these wines are served at Chacolí prices, 8-10€ a bottle versus their real price value, which would be well below 5€.   So be wary of what you’re being served while enjoying the tapas in San Sebastian…ask for appellation Chacolí (Denominacion in Spain).  Read on for more information on Chacolí and its counterfeit version.

Today a Decanter.com article caught my eye:  “Sisseck of Pingus owes success to Bordeaux,” which was a preview on an interview with the winemaker in their current issue.   More interesting was the bit at the end of the article that stated that Peter Sisseck is moving away from the very pronounced new oak influence that characterized Pingus from the beginning.  “These days I am more wary of new oak.”  This is music to my ears….could it be we are starting to move away from the excessive new oak that has characterized so many Spanish wines in the past few years?

When I arrived in Spain over 6 years ago, Robert Parker and his team were just starting to pay attention to the wines in a big way.  Since then I have seen awareness of him take off in the wine sector…frequently these days, winery professionals talk about the ratings they’ve received from the Wine Advocate.  I often ask my groups of wine tasters if they’ve heard of Robert Parker, and though many of the foreigners have, very few of the Spanish groups have. The concept of wine ratings still hasn’t really filtered down to the typical Spanish wine consumer…he or she still rely on the recommendations of family, friends, or their local wine merchant.  There are quite a few wine guides and magazines in Spain that rate wines, but ratings are a tool that is just starting to be used as a marketing tool by wineries, distributors and wine merchants. 

I am quite down on Albariño lately.  It’s a grape I fell in love with over 8 years ago before I came to Spain.  One of my first wine trips when I came to live here was to Rias Baixas in Galicia, the homeland of Albariño.

Our final winery visit during our day in Ronda was to Bodega Los Bujeos, a small winery that is integrated into the beautiful rural hotel, El Juncal, just outside the town of Ronda.  El Juncal belongs to the same family that owns one of the most famous restaurants in Ronda:  Tragabuches.  The project was conceived as a dual project from the being:  a luxury rural hotel that offers a serene escape from the stresses of modern life and a small, artesanal winery that could produce some top notch wines. Lola Jimenez, the owner, was totally honest with us when she admitted that the hotel part was conceived in order to help finance the winery part…we all know how long it takes to make a profit form a winery!  Whatever the original intention, the result is spectacular…escapist luxury accommodations amongst the beauty of the vineyards! 

The second winery we visited is Descalzos Viejos, a traditional moniker literally meaning “old unshoed ones”, which was a common name for certain orders of monks.  The winery is housed in the church and grounds of the old monastery. The site was completely abandoned when 2 architects from Ronda acquired it and restored it.  The nave of the 500 year old chapel is a unique and charming setting for the winery’s fermentation room! 

One very impressive winery in Ronda is Cortijo Los Aguilares, the personal retirement project of a Basque businessman, José Antonio Itarte.  The estate is a huge finca and the vineyards only cover some 19 hectares of the total 800 available…wine here is made on a very artisanal basis…after extensive soil analysis only the best parcels were planted with vines!  Also on the estate are free-range Iberian black pigs…we saw them running through the oak trees from a distance.  The winery itself has two buildings, both of which were restored respecting the original architecture of the Cortijo; the elegant main house is mostly a vacation home for the family but also houses the administrative offices and a beautiful tasting space.  The winemaking area is housed in a much more functional building with a shallow lake on the roof to help with cooling the barrel room.  The young enologist, Bibi García, is very dynamic and she is striving to make a very different style wine than is typical in the area.  She gained experience working in Rioja, Priorat and Chile.  The owner is greatly influenced by the wines of Burgundy and Bibi is trying to create elegant, aromatic wines that seem to defy the sometimes extreme heat of the region.  These wines do in fact have an earthy complexity reminiscent of Burgundy and are surprisingly light in alcohol. 

There’s lots of talk about some of Spain’s up and coming wine regions….Bierzo, La Mancha, Toro, Jumilla are all the new buzz words.  But really they are old news…all of them have a long track record and good name recognition within Spain and outside Spain.  Now there are a new group of regions appearing on the scene, regions that are super dynamic and are producing some exciting wines.  These are wine areas that most Spanish people will not recognize as areas producing fine wines.  Some of these new areas are overcoming bad reputations for mass produced bulk wine, such as Calatayud, Campo de Borja, and Manchuela.  Others are artisanal areas that have no real wine reputation as of yet.  These include such areas as Granada, Arribes del Duero, Léon and Malaga. 

Rioja Vino de Autor in Two Vintages:  San Vicente 2003 and 2004

Vintage Variation in Spain is not as extreme as it is in more northern climates, but it obviously still has a very real impact.  I was fortunate to try one of my favourite Vinos de Autor in two very different vintages. 

San Vicente was one of the original Vinos de Autor in Rioja, leading the way to the modern starting in 1991.  This was the first vine de terruño or terroir…a single vineyard wine made from the “ideal” vineyard as envisioned by the winemakers, the Eguren family.  As such it has become an icon and remaisn so today, despite the multiple vinos de autor that have proliferated recently.

The Gran Reserva is almost exclusively a classic style in Rioja….most of these wines have over 30 months in oak, many as much as 48 months!   National wine law in Spain has changed…the minimum oak aging for a gran reserva is 18 months, though the total time before release remains 5 years.  But many of the regional authorities have left the minimum oak aging period at 24 months.  In any case the typical aging periods far exceed the minimum. 

Now we move on to the Reservas, both in the 18 euro price range.  Once again I picked a true classic bodega, La Rioja Alta and a fully modern one; Palacios Remondo. 

At the crianza level there is usually enough fruit in both classic and modern to satisfy the majority of palates, but at the reserva level the disparity in styles becomes more acute. 

The next pair of wines in my Rioja class was two crianzas, one in a classic style and one in a modern style, both in the 10-12 euro range. 

The Rioja style issue is a favourite theme for me to bring out in my tastings.  Many typical wine-drinkers are unaware of the stylistic differences that lie hidden in Rioja.  These comparisons of different Rioja style are some of the most revelatory tastings I hold…some clients are astonished at the difference.

I’ve been doing a course with a great group…looking more in depth at Spanish red wines.  Our first week was Rioja and we made some interesting discoveries.  It was a great opportunity to further explore the fascinating topic of classic and modern Rioja styles.

The most unique and fascinating wine was probably the 1955 Paternina Reserva…a wine that had no information on the label at all.  I had done some research and found some recent tasting notes on the 1955 from a vertical Paternina tasting.  The most fascinating piece of information I could discover was that in the early 50’s the Paternina wines had a metallic taste to them that was caused by the use of copper pipes in the winery.  These were changed out in 1956!

Yes, wine storage conditions matter even for port!  Following is a very sad story of how critical this issue is. 

Recently we got a chance to try two 1980 vintage ports together that had been stored in very different conditions.  The difference between the two wines was a revelation to me!

We had been given a wonderful vintage port for our wedding and had been saving it (in our wine cellar) for a few months.   The Quinta do Noval Nacional 1980 had been bought at a local store, as tore that is known for excellent prices but not necessarily the best storage conditions. 

In my classes, I always stress the huge gap that exists between Spanish red wines and white wines. For several years, I’ve been able to use a fun example to illustrate that point.  The most expensive red wine in Spain is Pingus from Ribera del Duero, which has a theoretical price of 600 euros, but in reality is seems to be much higher. Until recently. the most expensive still white wine in Spain was Chivite Coleccion 125 Barrel-fermented Chardonnay from Navarra at only about 50 euros!   I would venture to say no other country had such a disparity between the colors!

I’ve been tasting so many great wines…it’s been hard to keep up! Today I wanted to talk a little about some unconventional Spanish wines that fall into 2 categories: Vino de la Tierra and Vino de Mesa. In theory these two categories are not quality wines and should be inexpensive, lower quality wines….but in reality, there are some very premium wines being made under both categories!